Laura Gonzalez

blog

25 Jul 2005

The Secret of the Sexes

Yesterday’s BBC programme on attraction (part of the Secret of the Sexes Series) was very thought provoking.

Through metrics followed by a series of experiments, scientists were trying to extrapolate the universal rules of attraction. They started working from the hypothesis that people with facial similarity would be attracted to each other. They measured a group’s facial metrics and established matches. They then, through a speed dating experiment, they measured (with the aid of a 1-to-100 digital dial at the side of the table) first impressions and the any changes in measurement after the 3-minutes conversations. Three ‘seducers’ were introduced as a control group.

Needless to say, the hypothesis was proven wrong as no couples ‘hit it off’. However, they established that first impressions are decisive and the 3-minute conversations made no substantial change in the attraction measurement.

Though computer programmes that created ‘perfect’ matches, they then had a look at other aspects of attraction like compatibility and body (men are attracted to a particular waist-hip ratio, whereas women give importance to height). But the most interesting experiment was, in my opinion, giving faces a feminine/masculine value to test if one is attracted to the other.

No study was conclusive. Studying attraction solely through metrics can be extremely problematic as they can’t encompass idiosyncrasies, cultures etc… But that didn’t matter so much as the experiments made me think about my own:

- What would happen if I gave objects a masculinity / femininity score?
- Will I have to go into these gender issues?
- What kind of metrics (if any) will my study require?
- Can I create a speed-dating-with-objects methodology followed by (or instead of) focus groups?

Posted in Blog,Theory


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About Me

Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.

She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.