Laura Gonzalez

blog

28 Nov 2005

Favourite Seductive Objects

I met the very wonderful David Leddy last week. Everytime researchers meet, they end up talking about their obsessions so we swiftly moved from live arts, to cultural studies to seduction. I think we both enjoyed the conversation as we sent thank you email almost at the same time. His, had a little present. He said: “Attached is a photo of one of my favourite seductive objects. A pestle and mortar from the Moma design store. I love it so much that I use it as an ornament in my living room rather than a kitchen implement.”

David made me realise the importance of knowing more about personal seductions, specially since it seems I am veering towards a phenomenological approach. What objects make you rock? Can you upload pictures? Would you object me using them as part of my research?

Posted in Blog,Seductive things


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About Me

Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.

She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.