Laura Gonzalez

blog

Given

Marcel Duchamp, Etant donn?©s: 1¬? la chute d’eau / 2¬? le gas d’?©clairage, 1946-66

Read this entry | No Comments »


2006 Artist of the month – 3

As you may begin to notice, the 2006 Artist of the Month competition is just an excuse for me to think and write about an artist every month. And, as such, there are no rules about who I may chose: they may be from any corner of the world, using any medium, old or new, [...]

Read this entry | No Comments »


Second Entry on Psychoanalysis

Even if it may sound predictable to Mr Evans, the best words for describing how I feel after reading his paper From Lacan to Darwin are saddened and shocked. You may remember from my First entry on Psychoanalysis that I thought his reference book, ‘Introductory Dictionary of Lacanian Psychoanalysis’, apart from being incredibly well written, [...]

Read this entry | 1 Comment »


Yulia Tymoshenko

With thanks to Al for the pictures and the introduction. The image of former Ukranian Prime Minister Yulia Tymoshenko, certainly feels like finding a palm tree in the desert. With her hair (which she had to demonstrate was real), her symetric face and her dress sense, she breaks the continuum of political / parlamentary life. [...]

Read this entry | 2 Comments »


The First Entry on Psychoanalyis

I find that, in order to read and understand psychoanalysis, one needs to dispense of normal processing modes and adopt a different way of understanding. The only other time when I have been faced with a similar intellectual proposition has been during my second attempt at reading Joyce’s Ulysses. Psychoanalysis works in associative ways, in [...]

Read this entry | No Comments »


Visual Update

My desk, this morning My files My insipid attempts at undertanding Lacanian theory through explaining the Schemata to myself

Read this entry | No Comments »


 

About Me

Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.

She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.