Laura Gonzalez

blog

15 Jan 2007

Getting on with it…

I have uploaded images of work-in-progress created as part of my PhD project. Engaging in practice has been productive, even if difficult. The practice of analysis and of art are beginning to converge in a weird sense and I am hoping that writing my confirmation report will bring that very point into some clear focus. At the moment it is just a list of shared characteristics and references. A hypothesis. Bijoux #4 (engage and commit) is probably the one that best reflects this connection: it is awkward; wearing it hurts. I agree with S‚Äî. The practice is a little illustrative of what I read, see, like… Yet, it is a first step, like laying on the couch. Where forces are pulling in different directions ‚Äîtheory here; art there; psychoanalysis, up; epistemology, down; my own practice this other way‚Äî, this attempt to crete is a step towards a kind of negitiation. What I now need to do is to create seduction, not to seduce (which may be impossible, as seduction is always in flux, never still)

Posted in Blog,News,Seductive artworks,Seductive things


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About Me

Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.

She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.