Laura Gonzalez

blog

Cultish totem

I am doing a talk on Juicy Salif next Wednesday… That reminds me I must bookmark this, which comes from a very interesting blog on Art and Design. No, not as a subject area, but as two ways of thinking and seeing that talk to each other. Pretty groundbreaking conception, no? Talk info: Juicy Salif [...]

Read this entry | No Comments »


Where would one be without friends?

What would I do without my peer groups? A very interesting discussion on that foto here, here and here. In Spanish though, and with bad language, as it should be…

Read this entry | No Comments »


Nice cup of tea

Funny, that. I just came back from my RF2 (PhD confirmation) presentation in Sheffield. It was very satisfactory, if only because some things were so surprising.I had all my psychoanalytic theory well tied together, even though the task of explaining Lacan’s Discourse of the Analyst in 3.5 minutes was not as easy as it may [...]

Read this entry | 3 Comments »


 

About Me

Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.

She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.