Laura Gonzalez

blog

5 Jul 2007

A photo a day

mamiya 645I have to train my eye, reader, train it to a new method of working. That way of working is a lot more technical and scientific than what I have been used to, with my little collages, my clay sculptures, my silly objects. Photography has its own way of being, especially if one is interested in a Fine Art photographic practice, rather than journalism, documentation, or plain photo chavving –you know, that mobile phone business. As a way of training these eyes of mine (the physical, the psychical), I am going to take, or at least carefully look at, a picture a day. Those, which will not necessarily constitute of relate to my artwork, will, of course be published online here, at least for the time being.

Hopefully it will inform my actual photographic practice.My new best friend for the summer is a beautiful Mamiya 645, a delight to touch. For this, an many other things that will slowly come up on these pages over the next months, I must warmly thank Vaughan Judge, for his time, his support, and his belief that my images may reveal seduction.

Posted in Blog, Methodology, PhD


2 Responses to “A photo a day”

  1. Laura Gonzalez said:

    I closed my Fotolog, as it just became silly… More about the comments than the photos and the interface was hugely restrictive…

  2. Nikon D40 said:

    [...] I have had it two days and have taken a fair amount of images with it already, most of which are far better than those obtained with my point-and-shoot. This is really a camera for dummies, so all I have to do is think about the picture. It is a real pleasure. And a light one, assuaging my biggest fear. What a delight not to have live view, either. Looking through a view finder changes your relationship to the image, as Serge Tisseron pointed out. It helps to conceptualise the world and understand it, rather than just represent it. Almost a mystical experience, one I knew about from using the blind Mamiya. [...]

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About Me

Laura Gonzalez is an artist and writer. Her practice encompasses drawing, photography and sculpture, and her work has been exhibited in the UK, Spain and Portugal. She has participated in numerous conferences, including Research into Practice (2008), College Arts Association and the Association for the Psychoanalysis of Culture and Society (2007). When she is not following Freud, Lacan and Marx's footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

She is currently immersed in an interdisciplinary project, which investigates psychoanalytic approaches to making and understanding objects of seduction within the fields of fine art, consumption studies and material culture. Her research includes an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik's shoes as objects of desire, a disturbing encounter with Marcel Duchamp's last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks. She seeks refuge and inspiration in psycho-geography, especially if it takes her to shopping centres, those mysterious places.