A wonderful moment at the Vicissitudes: Histories and destinies of Psychoanalysis conference’s French panel:
Stéphane le Mercier, artist:
9- …ce á quoi souvent il faut répondre: «Que faites-vous dans la vie? - Je reléve des chutes.»
9- … what I often have to answer: «What do you do for a living? -I pick up what has fallen down.»
Christine Anzieu-Premmereur, psychoanalyst:
Funny. You [...]
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It has been a while. I have been a hermit, distanced from online activities, wholly immersed in constructing Chapter 1, figuring out A Case of Seduction (End Gallery 12-17 May 2008), attending a Psychoanalysis and the Arts and Humanities conference (Vicissitudes : Histories and Destinies of Psychoanalysis) and coping with the end of my analysis. [...]
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Laura Gonzalez is an artist and writer. Her practice encompasses drawing, photography and sculpture, and her work has been exhibited in the UK, Spain and Portugal. She has participated in numerous conferences, including Research into Practice (2008), College Arts Association and the Association for the Psychoanalysis of Culture and Society (2007). When she is not following Freud, Lacan and Marx's footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.
She is currently immersed in an interdisciplinary project, which investigates psychoanalytic approaches to making and understanding objects of seduction within the fields of fine art, consumption studies and material culture. Her research includes an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik's shoes as objects of desire, a disturbing encounter with Marcel Duchamp's last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks. She seeks refuge and inspiration in psycho-geography, especially if it takes her to shopping centres, those mysterious places.