Posted in Blog,Methodology,PhD,Practice,Seduction,Writing

Posted in Blog,Methodology,PhD,Practice,Seduction,Writing
Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.
Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.
Hi Laura, If only I could see those up close I just know the seductive nature would help me transend this limited earthly bond. Nice work indeed. By the way, where is this gallery? It looks very similar to one at Rutgers Universtity in NJ, USA.
Cheers,
Brian
Thanks Brian! Clicking the images will bring you a tad closer, although it will still be so different front confronting them in the gallery… The space is in Sheffield Hallam University’s Psalter Lane Campus. Funny that you mention Rutgers. It’s a place I have visited and have very fond memories of!
L.
I remember you mentioned going there for a conference this year. I have many friends who went to Rutgers and I too spent a good deal of college time there in the early 90s. All the best!
-b
[...] establishes these? Why would they have a bearing on a PhD? Why were my images judged so harshly on pictures of a gallery which contained my pictures? What has become of the encounter with the work of [...]