Laura Gonzalez

blog

6 Sep 2008

Das Kapital and dizziness

Of course, having been out of the loop with my journal means I also have been out of the loop wit that of others. I am catching up now, almost finishing reading June. I couldn’t let one post pass, though, as it is another clear example of how I have to be careful with what I wish because it may become true. The excellent Larval Subjects cited RoughTheory who in turn linked to David Harvey. It is not the journey that is referred to when I mentioned dizziness in the title, it is what I found when I got there. Distinguished Professor Harvey, of CUNY is doing a close reading of Marx’s Capital in 13 2-hour lectures, downloadable on audio and video. I have always dreamed of something like this happening. But just as I found out when I listened to Zizek’s masterclass on Lacan, I know that the next few walks to work and the forthcoming sessions at the gym are going to be hard going.

Posted in Blog,Interesting people,Peripheral thoughts


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About Me

Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.

She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.