This looks exquisite: Traumfrauen: Haus der Photographie in den Deichtorhallen, Hamburg 20.09.08 – 09.11.08 More information here, here and here (all in German). Traumfrauen… Dream women… Trauma Images: Albert Watson, Breaunna Las Vegas Hilton, 2001 / Miles Aldridge, Homeworks, 2008 / Dan Martensen, “Looking out the window”, from “LowLuv”, Los Angeles, 2005 / Donna Trope, [...]
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Teaching a proper course is such a different experience from my experience delivering the PhD training programme, I can not overcome certain aspects of it. Having started my academic career at the top of the degrees pyramid (don’t get excited, that pyramid doesn’t match the salary pyramid) I have missed certain aspects such as curriculum, [...]
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A reflexive week, as if by last week’s post I was trying to draw attention to myself, or bend back my writing. My google alerts entry returned to me by the logical, but unexpected medium of… Google alerts and Drugs in Milk, who recommended me links, continuing this never-ending network of references. What did I [...]
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Last week, I reluctantly set two Google Alerts, to receive emails every time something had been published on the Internet where the words “seduction” or “Lacan” featured. I have to say I was a skeptic, since I subscribe to various jiscmail and yahoo groups, which mostly clog my inbox. One of them goes straight into [...]
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My week’s work has been spent switching over to Mellel from Word (recommended to me by Michael) and backing up my journal entries from 2004 onto Mac-journal, images and all. I have to say, it has not been the most joyous way of spending time and I am still unsure as to whether this is [...]
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Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.
Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.