Laura Gonzalez

blog

16 Nov 2008

A Wind of Revolution Blows, the Storm is on the Horizon

I can’t wait to go to London at the end of November and see this exquisite show:

kivland-48.jpg
We have see nothing yet but roses 2006 detail

Sharon Kivland
A Wind of Revolution Blows,
the Storm is on the Horizon

07.11.08 – 13.12.08

Chelsea Space
Chelsea College of Art and Design
16 John Islip Street
London SW1P 4JU

http://www.sharonkivland.com/

Her work is a fine example of the relationship between art, work, fashion, commodity and the possibility of a change of context (and of heart). Above all, though, I find the pieces very beautiful, in a strange kind of way; nostalgic, yet current. Fashions come back. It may be my French upbringing; or the revolutionary within me; or, again, the pleasing female eager to work patiently, yet subversively… Look, look at the images on the links to see what I mean. Better still, go and encounter them, and do your own work as a viewer. We are all labourers under Capitalism. The conditions and the space for this are very nice, though.

Posted in Blog,Interesting people,Seductive artworks


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About Me

Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.

She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.