Laura Gonzalez

blog

14 Jul 2009

Lunch with Blahnik

Sometimes, this humble blog sounds like a death blog. All these R.I.P.s, with some personal ones I did not even mention… It is summer and it is time to change the tone, although what I am going to mention also involves death (death, the ultimate seducer, do you remember Baudrillard’s story in Samarkand?). This time, it is the death of shoes as potential objects of desire as stated by Manolo Blahnik over lunch. No, we did not have lunch together. The piece is called Lunch with… and the guest was Manolo Blahnik. I would love to invite him, though. I’d take him to Amazing Grazing at Abode and chat in Spanish. I’d love to have one hour with the maestro.

Posted in Blog,Interesting people,Peripheral thoughts,Seductive things,Shoes


2 Responses to “Lunch with Blahnik”

  1. linda Herbertson said:

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    That is beautifully put.

  2. Laura said:

    Thank you, Linda. I love the meastro. I am getting closer to completing my PhD, which means I will be able to treat myself to some designers shoes for graduation (wishful thinking, but also an excuse to complete the degree). Him and Louboutin are my shortlist…

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About Me

Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.

She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.