Laura Gonzalez

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From perfect lovers to banality

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We take pictures, therefore we are

My review of Mike Robinson and David Picard’s The Framed World: Tourism, Tourists and Photography has been published in THES (No. 1,923, 19-25 November 2009, p. 50). If you want to find out what I think of it, click here.

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Matthias Schaller

I am reading a lovely book on Casanova’s self portraiture. It was written by Stefan Zweig and published by Pushkin Press. I do like the object books that Pushkin Press produce. They are tactile, and have wabi-sabi. The more the book lives in my handbag and travels with me, the more good-looking it becomes. But [...]

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About Me

Laura Gonzalez is an artist and writer. Her practice encompasses drawing, photography and sculpture, and her work has been exhibited in the UK, Spain and Portugal. She has participated in numerous conferences, including Research into Practice (2008), College Arts Association and the Association for the Psychoanalysis of Culture and Society (2007). When she is not following Freud, Lacan and Marx's footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

She is currently immersed in an interdisciplinary project, which investigates psychoanalytic approaches to making and understanding objects of seduction within the fields of fine art, consumption studies and material culture. Her research includes an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik's shoes as objects of desire, a disturbing encounter with Marcel Duchamp's last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks. She seeks refuge and inspiration in psycho-geography, especially if it takes her to shopping centres, those mysterious places.