Laura Gonzalez

blog

20 Nov 2009

Matthias Schaller

I am reading a lovely book on Casanova’s self portraiture. It was written by Stefan Zweig and published by Pushkin Press. I do like the object books that Pushkin Press produce. They are tactile, and have wabi-sabi. The more the book lives in my handbag and travels with me, the more good-looking it becomes. But what I love most about it (apart from the subject matter) is the cover, which consists of a photographic image of a Venetian Palazzo interior. Having been to Venice a fair few times, I know these spaces, this grandeur is as mystical and alchemic as the famous womaniser. Very apt indeed. The back of my book tells me that it is by an artist called Matthias Schaller and, this week, I discovered with delight that the image is part of a series, Controfacciata. Aren’t his empty interiors just magnificent?

Posted in Blog,Interesting people,Reading,Seductive artworks


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About Me

Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.

She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.