Laura Gonzalez

blog

Uncanny Kieslowski

Something strange happened to me one night in Santiago de Cuba. We were there on holiday for four days, escaping the attack to the senses that Havana had been by taking a seventeen hour train ride to the opposite side of the country. Santiago, although hotter, was more manageable. Our casa was in the city [...]

Read this entry | 2 Comments »


Bealtainne-with photos

You are cordially invited to this show, where I will be showing some photographs alongside some work by Glasgow School of Art PhD students: A woman displays strange behaviour on her way to work: despite having to rush to attend to her duties on time, she finds herself stopping in her tracks, unable to look [...]

Read this entry | No Comments »


Make Me Yours photobook

I am clearing up, throwing things away, filling, and wrapping, as you do when you finish as long a project as this five-year work. I cannot quite stop yet, I am not resting, although I know I need to. I keep contacting my supervisors with more or less legitimate excuses – my new symptom, it [...]

Read this entry | No Comments »


 

About Me

Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.

She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.