Laura Gonzalez

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2011 in books

These are the books I read in 2011, in order of the date I finished them. 2011 was the year when I renewed my love of fiction, after 5 years of PhD, and will be marked by my first encounter with Muriel Spark, whom I can say is my favourite writer. May 2012 bring me [...]

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Goodbye (for now) to New Moves International

Tuesday’s lunchtime was marred by this news report.

I feel I am writing an obituary, for, since the issues were made public, I am mourning the loss of my favourite time in Glasgow, what I have been looking forward to since I applied, booked and paid for my place in this year’s events, back in October. Winter will be a long season now.

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Spaces to work hysteria

La Ribot’s wonderful work Llamame Mariachi, inspired me as to the technique I wanted to use for my work on hysteria. She films movement from within, she dances with the camera and the effect is one of convulsion, but also joy. So, since my PhD, I have changed the space I work in, from a [...]

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About Me

Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.

She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.