Laura Gonzalez

blog

Adult love and its roots in infancy

This looks so interesting. Love. Love, that eternal question. How do we chose our love objects? Where does adult love come from?

This conference investigates adult love by bringing together the worlds of psychoanalysis, literature, and performance. The most sublime, exhilarating and painful of emotions, love puzzles the intellect and almost defies description. It motivates the best and worst of us, overwhelming us with the ferocity of its demands, while thwarted love and perverse love are at the heart of much violent behaviour and neurotic suffering.

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In praise of twos

It may be conceded to the mathematicians that four is twice two. But two is not twice one; two is two thousand times one. That is why, in spite of a hundred disadvantages, the world will always return to monogamy. G. K. Chesterton, The Man Who Was Thursday.

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Merry Christmas!

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The British Psychoanalytic Council

It is an honour to have a short article on kissing in photography published in the same issue as a discussion on HBO’s TV show ‘In Treatment’ and the rise of internet sex. Read the article here (PDF 1.7MB).

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Projecting Desire: Sex, Psychoanalysis and Cinema

A very interesting course at Tate Modern. I would so love to have the resources to teach something like this: Led by Lucy Scholes and Richard Martin 10.30-16.00 on 5 June only 10.30-13.00 all the other sessions Combining film, literary and psychoanalytic theory, this six-week course explores the fascinating theoretical connections within the work of [...]

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Merry Christmas

May 2010 bring everything you wish for! PS: I am after the purple platforms, the ones with the bow!

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The noughties

2000: Moved from Manchester to Sheffield. Met Hayley and Oli and Stuart who took me to the pub. Finished BA. Met Neil. Got attacked by a goose. Moved to London. Started MA. 2001: Westminster Bridge Road. Depression. Finished MA. Started work in academia. Lost ability to make art. Won Mr and Mrs competition. 2002: Tooting. [...]

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From perfect lovers to banality

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An artist reflects on an artist’s Biennale

Wonderful! Arttra have published my thoughts on the 53rd Venice Biennale here.

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RIP John Hughes

Yes, another RIP. I skipped Merce Cunningham’s because I thought I would get a reputation. You see, self consciousness has been on a high, lately, due to my creative writing (this endless chapter 3) and the fact that, this week, two people greeted me with ‘hey, I was showing your blog to my wife…’ I [...]

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About Me

Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.

She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.