Laura Gonzalez

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A Lacanian murder mystery

Something I wrote last year and which, sadly, did not get anywhere. Lacan at the Scene Henry Bond Cambridge, Mass. and London: MIT Press, 2009 256 pp. $24.95/£18.95 ISBN-10: 0-262-01342-8 ISBN-13: 978-0-262-01342-0 Detectives and analysts see more than we do, moving between transference and interpretation with a perplexing ease, and picking up key details about [...]

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Hard bound purple copy

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Afterall, one work

This series of monographs really appeals to my obsessiveness with specific works of art. Just like having a private critical museum… They even have a lovely volume on Étant Donnés. How not to include it? It is one of the most recurring images I have ever encountered…

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Projecting Desire: Sex, Psychoanalysis and Cinema

A very interesting course at Tate Modern. I would so love to have the resources to teach something like this: Led by Lucy Scholes and Richard Martin 10.30-16.00 on 5 June only 10.30-13.00 all the other sessions Combining film, literary and psychoanalytic theory, this six-week course explores the fascinating theoretical connections within the work of [...]

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We take pictures, therefore we are

My review of Mike Robinson and David Picard’s The Framed World: Tourism, Tourists and Photography has been published in THES (No. 1,923, 19-25 November 2009, p. 50). If you want to find out what I think of it, click here.

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Matthias Schaller

I am reading a lovely book on Casanova’s self portraiture. It was written by Stefan Zweig and published by Pushkin Press. I do like the object books that Pushkin Press produce. They are tactile, and have wabi-sabi. The more the book lives in my handbag and travels with me, the more good-looking it becomes. But [...]

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About Me

Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.

She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.