Laura Gonzalez

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These shoes are made for walking

I am not sure. I am definitely not sure and the more I think about it, the less sure I am about this iPod inspired iPad building (not convinced about the pun, either). Of course, iPods are a way of life, identity-bearing devices and saving graces when I am stopped by charity touts in Glasgow’s [...]

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Going up, going down, but always leading astray

From Apple Insider Apple: iPods built to last 4 years By Katie Marsal Published: 12:00 PM EST Apple Computer says its iPod digital music players are built to last four years and have a failure rate that is lower than other consumer electronics devices. Although there have been several accounts in which the iconic music [...]

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Explain the astray bit II

Metro, Thusday 20 July 2006

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Archie’s iPod

From the inspiring Jinty… Archie’s response to the isolation of not having an iPod… Not about the function but about the look…

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More Additions to the Family

iPod Phone and iPod Nano.

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Published iPod

I am delighted that Arttra decided to publish the iPod article. You can read it here.

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iPod Genealogy

First, third and fouth generation iPods

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About Me

Laura Gonzalez is an artist and writer. Her recent practice encompasses film, dance, photography and text, and her work has been exhibited and published in the UK, Spain and Portugal. She has spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art.

Her doctoral project, completed in 2010, investigated psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.

She is currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric.